The model was subsequently resurrected in Japan in the late 70s, before making a huge comeback as a reissue in the mid 90s, thanks to Weller and Oasis. That year also marked the end of the first run of US- made Casinos. While Beatle George later moved on to a red Les Paul and a beautiful rosewood Telecaster, Lennon had the finish stripped from his Casino, and used it right up to the break-up of The Beatles in 1970. Ease of playability is legendary thanks to slim necks, fattish frets and low actions. The Beatles connection is a huge part of the appeal of the Casino, but the bright chime of those P90s is crucial, too.
Like the ES-330, 60s Casinos had fully hollow, five-ply laminated birch and maple bodies - they don't have a centre block like a Gibson ES-335 or Epiphone Sheraton - and a pair of singlecoil P90 pickups.
